Tag Archives: Hubble Palette

Creating a Hubble Palette Image from OSC Dual Band Data

Many people like myself have transitioned from a MONO camera to a One Shot Colour (OSC) for whatever reason, for me it was all about not being able to get the required amount of time due to weather conditions here in the UK. When I first considered moving to an OSC camera, it dawned on me that I would not be able to produce the vibrant Hubble Palette images that I could produce by imaging with specific filters on my MONO camera, specifically Hydrogen Alpha (Ha), Oxygen 3 (OIII) and Sulphur Dioxide 2 (SII) which would then be mapped to the appropriate colour channels when creating the final image stack.

Now along came Dual and Tri band narrowband filters for OSC cameras which peaked my attention, the Dual Band filters allow Ha and OIII data to pass, the Tri Band filters allow Ha, Hb (Hydrogen Beta) and OIII to pass but at a high Nm value. I reached out to my friends at Optolong who had two filters, the L-eNhance and the L-eXtreme, the L-eNhance is a Tri Band filter, but after speaking with Optolong it would not work well for me at F2.8, so I went with the L-eXtreme Dual Band filter which has both the Ha and OIII at 7nm.

After receinving my ASI6200MC Pro, I decided to start acquiring data on a 1/2 to 2/3 moonlit nights on the North America Nebula, and so far when writing this post I had acquired a total of 60 frames of 300 seconds each at a gain value of 100, I processed the image my normal way in PixInsight and below is the result of the image:

North America Nebula, 60x300S @Gain100, Darks, Flats and BIAS frames applied with the ASI6200MC Pro using the Optolong L-eXtreme Dual Band 2″ Filter

I thought that my data looks good enough to work with and experiment with trying to build an SHO (Hubble Palette) image with, and I have spoken with Shawn Nielsen on this exact subject a few times so he gave me some hints and tips especially with the blending of the channels. So off I went to try and produce an SHO image.

Before we start, there are some requirements:

  • This tutorial uses PixInsight, I am not sure how you would acomplish this with Photoshop since I have not used PhotoShop for Astro Image Processing for a number of years
  • Data captured with a One Shot Color (OSC) camera using a Dual or Tri Band Narrowband filter
  • Image is non-linear…so fully processed

Step 1 – Split the Channels

In order to re-assign the channels, you have to split the normal image into Red, Green and Blue channels, I found this to work better on a fully processed “Non-Linear” image as above, once this was done, I renamed the images in PixInsight to “Ha” – Red Channel, “OIII” – Blue Channel and “SII” – Green Channel, this makes it easier for Pixelmath in PixInsight to work with the image names. Once this was done, I used PixelMath to create a new image stack with the channels assigned, and this is how PixelMath was configured

Red Channel = SII
Green Channel = 0.8*Ha + 0.2*OIII
Blue Channel = OIII

Once applied this produced the following image stack (do not close the Ha, OIII or SII images, you will need these later on):

SHO Combined image from PixelMath

Step 2 – Reduce Magenta saturation

As you can see from the above image, some of the brighter stars have a magenta hue around them, so to reduce this, I use the ColorMask plugin in PixInsight (You will need to download this), and selected Magenta

ColorMask tool with Magenta selected

When you click on OK, it will create the Magenta Mask which would look something like this:

Once the mask has been applied to the image, I then use Curves Transformation to reduce the saturation which will reduce the Magenta in the image


The result in reducing the magenta can be seen in this image, you will notice there is now no longer a hue around the brighter stars

Result after Magenta Saturation reduced using Magenta ColorMask and Curves Transformation

Step 4 – ColorMask – Green

Again using the Color Mask tool, I want to select the green channel, as we will want to manipulate most of the green here to red, so again ColorMask:

This then produced a mask that looks like the following:

Step 5 – Manipulate the Green Data

Once the Green Mask has been applied to the image, since most of the data in the image is green, we are looking to manipulate that data to turn it golden yellow, so for this we use the Curves Transformation again

The above Curves transformation was applied to the image three times whilst the the green mask was still im place, and this resulted in the following image changes:

Resulting image after green data manipulated in the red channel using Curves Transformation

So as you can see we are starting to see the vibrant colours associated with Hubble Palette images

Step 6 – Create a Starless version of the OIII Data

Now remember I said not to close out the separated channel images, this is because we are going to want ot bring out the blue in the image without affecting the stars, so for this we will turn the OIII image into a starless version by using the StarNet tool in PixInsight

Here’s the OIII Image before we apply StarNet star removal:

Default settings used in the StarNet process

This resulted in the following OIII image with no stars:

OIII Data with stars removed using StarNet Process

Step 7 – Range Selection on OIII Data

Because we do not want to affect the whole image, we will use the range selection tool on the starless OIII image to select areas we wish to manipulate, now we have to be careful that the changes we make are not too “Sharp” that they cause blotchy areas, so within the range selection tool, not only do we change the upper limit to suit the range we want to create the mask for, but we also need to change the fuzziness and smoothness settings to make it more blended, these are the setings I used:

Which resulted in the following range mask

Rangemask created using the RangeMask process

Step 8 – Bring out the Blue with Curves Transformation

We apply the Range Mask to the SHO Image so that we can bring out the Blue in the section of the nebula where the OIII resides, with the range mask applied we will use the Curves Transformation Process again as follows:

Curves transformation process to increase blue, reduce red and increase saturation of image with rangemask applied

The result of which is:

Result after first curves transformation with RangeMask applied

As you can see we have started to bring out the blue data, but we are not quite there yet, with the range mask still applied, we will go again with the curves transformation only this time, just reducing the red element:


The result of the 2nd curves transformation with the Range Mask is as follows:

Resulting image after 2nd pass with Curves Transformation to remove the red elemtn in the range mask

Step 9 – Apply Saturation against a luminance mask

On the above image, we extract out the luminance and apply as a mask to the image, and we then use the Curves Transformation for the final time to boost the saturation to the luminance

Luminance Mask to be applied to image
Curves Transformation with Luminance Mask applied

Final Image

I repeated the same process on my Elephant’s Trunk Nebula that I acquired the data when testing out the ASI2400MC Pro and this was the resulting image:

Elephant’s Trunk Nebula, 19x300S at Gain 26 on the ASI2400MC Pro with the Optolong L-eXtreme Filter using the workflow in this article

I hope this tutorial helps in producing your SHO images from your OSC Narrowband images, I know many of my followers have been waiting for me to write this up, so enjoy and share.

IC36 Y Cas Nebula in SHO

Located in the constellation of Cassiopeia this rather feint nebula is illuminated by a very bright Magnitude 2.15 star Navi

Image Details:
101x300S in SII – Red Channel
101x300S in Ha – Green Channel
101x300S in OIII – Blue Channel

Total integration time: 25.2 Hours

101 Darks, Flats and Dark Flats applied

Acquisition Dates: Oct. 27, 2018, Dec. 13, 2018, Dec. 27, 2018, Jan. 1, 2019, Jan. 2, 2019, Jan. 4, 2019, Jan. 8, 2019, Jan. 9, 2019, Jan. 11, 2019, Jan. 18, 2019, Jan. 20, 2019, Jan. 23, 2019, Jan. 27, 2019, Jan. 28, 2019, Jan. 30, 2019

Equipment Details:
Imaging Camera: Qhyccd 183M Mono ColdMOS Camera at -20C
Imaging Scope: Sky-Watcher Quattro 8″ F4 Imaging Newtonian
Guide Camera: Qhyccd QHY5L-II
Guide Scope: Sky-Watcher Finder Scope
Mount: Sky-Watcher EQ8 Pro
Focuser: Primalucelab ROBO Focuser
FIlterwheel: Starlight Xpress Ltd 7x36mm EFW
Filters: Baader Planetarium Ha, SII and OIII
Power and USB Control: Pegasus Astro USB Ultimate Hub Pro
Acquisition Software: Main-Sequence Software Inc. Sequence Generator Pro
Processing Software: PixInsight 1.8.6

NGC6888 – Crescent Nebula in SHO Narrowband

This object is a little tricker for me since I only have a 3-3.5 hour window per evening due to trees and the house blocking my view, this is also the first image that I used the drizzle function within PixInsight to be able to provide a detailed up close version of the image, I was very happy to have captured the brown “Globules” within the nebula to

Crescent Nebula in SHO Narrowband
Same object but with a 2x drizzle function in PixInsight applied

Image Details:
Red Channel – SII Data – 89x300S
Green Channel – Ha Data – 64x300S
Blue Channel – OIII Data – 109x300S

101 Darks, Flats and BIAS Frames used 

Equipment Used:-
Imaging Camera: QHY183M Mono ColdMOS Camera at -20C
Imaging Scope: Skywatcher Quattro 8″ F4 Newtonian
Guide Scope: Skywatcher Finder Scope
Guide Camera: QHY5L-II
Mount: Skywatcher EQ8 Pro GEM Mount
Focuser: PrimaluceLabs ROBO Focuser
Filterwheel: StarlightXpress 7x36mm EFW
Filters: Baader 7nm Ha, SII and OIII
Acquision Software: Main Sequence Software Sequence Generator Pro
Processing Software: Pixinsight 1.8.5

QHY183M Review – Part 2

As promised, now that I have done some imaging with my new QHYCCD 183M Mono ColdMOS Back Illuminated camera here’s the second part of my review on the camera.

Pixel size:- The pixel size on the 183M is 2.4um which I absolutely love, on my Sky-Watcher 8 Inch Quattro F4 the camera gives me a field of view of 0.62 Arcseconds/Pixel, which is a fantastic resolution, I remember when I had my Atik 383L+ and my Astro-Tech AT8RC F8, that offered me a resolution of around 0.63 Arcseconds/Pixel, so I am now imaging at almost the same field of view but at F4 and at 20mpx, but let’s just put that into comparison on the same scope, the first image below is IC434 taken with the Atik 383L+ on the Quattro, and the second image below is taken with the QHY183M on the same telescope, you can see what impact it has on the field of view:

FOV on Atik 383L+ with 8″ Quattro F4

FOV on QHY183M with 8″ Quattro F4

As you can see from the above two images the difference in the field of view due to the chip size.

Camera Sensitivity:- Since moving to the QHY183M I have had to make changes to how I image, having owned the Atik 383L+ for a good few years, I got used to imaging with it, so when I moved to the QHY183M I suddenly noticed that this camera was quite a bit more sensitive, the first image above consists of 300 second frames for the LRGB whereas the second image consists of just 150 second frames, yes 150 second frames!!!

When I first started imaging M81/M82 with the QHY183M, I immediately started with 300 Second frames, I ended up with the same amount of 300 second frames that I had with the Atik 383L+ but I just could not process it, after further analysis I noticed then that the lights were severely clipped, to put this into perspective, below is the Sequence Generator Pro Histogram for both the 300 second exposure (left) and the 150 second exposure (right)

As you can see the histogram on the left for the 300 second exposure is severly clipped on the right side of the histogram indicating that the exposure was too long, the histogram on the right for the 150 second exposure is a lot better, there is still some slight clipping happening but this was a luminance frame, this clearly indicates that the 183M is much more sensitive than my previous CCD imager.

The following two images were produced with the 183M, firstly IC434 consists of 19×300 Second Exposures in RGB and the Second Image of The Owl Nebula consists of 27×300 second exposures in RGB + 25x600S in Ha

Software Integration:- As you probably know already, I use Sequence Generator Pro for my image acquisition and the integration with the camera has been pretty seemless, the ASCOM platform driver works pretty well, and I have the camera set to the default gain and offset setting that QHY have provided which is 16 of Gain and 76 for offset:

UV/IR Sensitivity:- I have read online that the 183M is a little bit sensitive to UV/IR Light, so I asked the guys at QHYCCD about this abd they informed be that the window on the senor is straight clear glass, so it also lets in UV/IR Light, which for me is not an issue as all of my Baader filters are UV/IR Blocked anyway, but it is something to consider if I ever change filters.

Conclusion
The camera has performed way beyond my expectations, had to change some of my approaches to image acquisition but that was to be expected, I am extremely happy with the camera and look forward to getting more data to compliment the Luminance for M81/M82 in the not so distant future.

If you are considering the QHY183M as an imaging camera, and would like to discuss, then feel free to reach out to me.

Clear Skies

NGC2264 – Cone Nebula in SHO Narrowband

My latest image, I feel like I need more SII and OIII Data though to be perfectly honest, I captured quite a lot of dust even with narrowband mainly due to the high amount of HA frames I suspect, well here it is

Image Details:
27x 600S in 7nm HA
18x 600S in 7nm OIII
18x 600S in 7nm SII

25 Darks and Flats subtracted from lights

Data was acquired on the following dates: 18th, 19th, 20th and 21st January 2017, 13th and 18th February 2017

Equipment Used:
Imaging Scope: Sky-Watcher​ Quattro 8-CF Imaging Newtonian @F4 with the Skywatcher Aplanatic Coma Corrector
Imaging Camera: Atik Cameras​ 383L+ Mono CCD Cooled to -20C
Guide Scope: Celestron Telescopes​ C80ED Refractor
Guide Camera: Qhyccd​ QHY5L-II Mono
Mount: Sky-Watcher EQ8 Pro
Filter Wheel: Starlight Xpress Ltd​ 7x36mm EFW
Filters: Baader Planetarium​ 7nm HA, OIII and SII 36mm Unmounted
Image Acquisition: Main Sequence Software​ SGPro
Stacking and Combining: Maxim-DL
Processing: PixInsight​

NGC6960 – Witch’s Broom Nebula in Hubble Palette Narrowband

NGC6960 - Witches Broom
NGC6960 – Witches Broom

How Fitting for Halloween……My latest image – NGC6960 – Witch’s Broom in Hubble Palette Narrowband

Commonly referred to as the Witch’s Broom or the Western Veil of the larger Veil Nebula, this lies approximately 1470 Light years away.

In my opinion this is not an easy subject to image, and even more difficult to process, the image details are as follows:

15x600S in 7nm HA
15x600S in 7nm SII
15x600S in 7nm OIII
25 Darks
25 Flats

The HA was also used as a Luminance Layer

Equipment Used:
Imaging Scope: Sky-Watcher Quattro 8-CF 8″ F4 Newtonian
Guide Scope: Celestron Telescopes C80ED Refractor
Mount: Sky-Watcher EQ8 Pro
Imaging Camera: Atik Cameras 383L+ Mono CCD Cooled to -20C
Guide Camera: Qhyccd QHY5L-II
Image Acquisition: Main Sequence Software Sequence Generator Pro
Guide Software: PHD2

Processing:
Pre-Processing: Maxim-DL for STacking, Darks and Flats Subtracting and Alignment of Colour Planes
Post Processing: Photoshop CS5, Noise Ninja

NGC7380 – Wizard Nebula in Hubble Palette Narrowband

Image Details:
22x 600S – 7nm HA
19x 600S – 7nm OIII
19x 600S – 7nm SII
25 Darks and 25 Flat frames for each filter

Equipment Used:
Imaging Scope: Sky-Watcher Quattro 8-CF 8″ F4 Newtonian
Guide Scope: Celestron Telescopes C80ED
Imaging Camera: Atik Cameras 383L+ Mono CCD Cooled to -20C
Guide Camera: Qhyccd 5L-II
Mount: Sky-Watcher EQ8 Pro
Capture Software: Main Sequence Software Sequence Generator Pro
Guide Software: PHD2
Dark/Flat Subtraction and Stacking: Maxim-DL
Post Processing: PixInsight

IC1396 – Elephant’s Trunk Nebula in Hubble Palette Narrowband

IC1396 – Elephant’s Trunk Nebula in Hubble Palette Narrowband

Image consists of
15x 600S – 7nm HA
15x 600s – 7nm OIII
15x 600s – 7nm SII

HA Layer was also used as Luminance and Overlay layer

All data was obtained over five nights, 7th and 8th September 18th September, 22nd September and 23rd September 2016

Equipment Used:
Imaging Scope: Sky-Watcher Quattro 8-CF 8″ F4 Newtonian
Guide Scope: Celestron Telescopes C80ED
Imaging Camera: Atik Cameras 383L+ Mono CCD Cooled to -20C
Guide Camera: Qhyccd 5L-II
Mount: Sky-Watcher EQ8 Pro
Capture Software: Main Sequence Software Sequence Generator Pro
Guide Software: PHD2
Dark/Flat Subtraction and Stacking: Maxim-DL
Post Processing: Photoshop

To date I think this is my best image so far, I am very happy with the results of the image and the colour balance obtained