Tag Archives: Elephant’s Trunk Nebula

Eternal Quest: The Elephant’s Trunk Nebula Unveiled

In the boundless theatre of the night sky, where celestial tales unfold across the eons, lies an ethereal masterpiece that has captivated the gaze of astronomers and dreamers alike. This image, a delicate two-panel mosaic, is a profound revelation of the Elephant’s Trunk Nebula, known formally by its catalog designations IC 1396A, nestled within the larger expanse of the IC 1396 complex in the constellation of Cepheus.

Crafted with meticulous dedication over the span of five months, this portrait of the cosmos was brought to life using a full-frame monochrome CMOS camera, a testament to the intersection of art and technology. The camera, acting as a modern-day alchemist, transformed the invisible into the visible, capturing the nebula’s intricate details and sweeping gas clouds that resemble an elephant’s trunk, reaching out into the void.

However, this image is more than a snapshot; it is a chapter in an ongoing saga dictated by the unpredictable whims of the UK’s weather. The journey to encapsulate the nebula’s full glory has been a dance with the elements, with many nights spent under the cloak of clouds rather than stars. Despite these challenges, the initial results have unveiled a stunning glimpse into the cosmos, showcasing the nebula’s haunting beauty and the vibrant activity within its star-forming regions.

Yet, the story does not end here. The image is a promise of what is yet to come, as there are plans to revisit the Elephant’s Trunk Nebula later this year. The aim is to deepen the exploration, to add more data to this cosmic tapestry, and to further refine the clarity and depth of this celestial phenomenon.

This endeavor, a blend of patience, passion, and precision, highlights not just the technical prowess required for astrophotography but also the enduring human desire to connect with the universe. Through this image, we are reminded of our place in the cosmos, a mere speck within the vastness, yet capable of capturing and celebrating its majesty.

The Elephant’s Trunk Nebula stands as a beacon in the dark, a symbol of the mysteries that await our discovery. With each photograph, we peel back another layer of the universe, bringing us closer to understanding the grand design of which we are a part. This image is an invitation to gaze upwards, to wonder, and to dream of the infinite possibilities that lie beyond our world.

Here is the Astrobin link for the full resolution image: https://www.astrobin.com/full/qxmduq/0/

Frames:
Chroma H-alpha 3nm Bandpass 50 mm: 81×300″(6h 45′) (gain: 100.00) -10°C bin 1×1
Chroma OIII 3nm Bandpass 50 mm: 91×300″(7h 35′) (gain: 100.00) -10°C bin 1×1
Chroma SII 3nm Bandpass 50 mm: 125×300″(10h 25′) (gain: 100.00) -10°C bin 1×1

Integration: 24h 45m
Darks: 51
Flats: 51
Bias: 201

Equipment:
Imaging Camera: ZWO ASI Cameras ASI6200MM Pro Gain 100 -10C
Imaging Scope: Sharpstar Optics 20032PNT F3.2 Paraboloid Astrograph
Filters: Chroma 50mm 3nm Filters
Filterwheel: ZWO ASI Cameras 7x EFW
Guide Camera: ZWO ASI Cameras ASI290MM
Mount: Sky-Watcher EQ8 Pro German Equatorial Mount
Auto Focuser: Primalucelab Sesto Senso2
Environmental conditions: Primalucelab ECCO2
Observatory Control: PrimaLuceLab Eagle Eagle 4 Pro
Roof Control: Talon RoR
Image Acquisition: Main Sequence Software Sequence Generator Pro
Image Calibration and Stacking: Astro Pixel Processor
Image Processing: PixInsight, Russ Croman’s BlurXterminator and StarExterminator

ZWO ASI2400MC Pro Full Frame 24mpx camera review

I was lucky enough for 365Astronomy to offer me one of the ZWO ASI2400 full frame cameras to test and write a review, so obviously I jumped at the chance, and within a couple of days I was successfully imaging and acquiring data with it, so firstly what is the ASI2400?

The ASI2400MC Pro is a full frame 24mpx camera that utilises the Sony IMX410 back illuminated sensor, ZWO produced a similar camera before which was the ASI128MC Pro (24mpx) and they also have the ASI6200 (62mpx), so what are the differences between the cameras?

ASI2400MCASI128MCASI6200MC
Image SensorIMX410IMX128IMX455
Pixel Size5.945.973.76
Full Well Capacity100ke76ke51.4ke
Cooling Delta-35C-35C-35C
Resolution6072×40426032*40329576×6388
ADC14-Bit14-Bit16-Bit
Read Noise1.1e-6.4e2.5e1.2e-3.5e
DDR Buffer256MB256MB256MB
QE >80%>53%>80%
FPS (Video)852

If we compare the ASI2400 and the ASI128 since they have similar pixel sizes and offer almost a matching resolution, but the ASI2400 clearly is a better camera, with a higher full well capacity, this means that it takes a lot more to saturate out the colours around bright stars for example, but also a big increase on the quantum efficiency going from 53% to >80%.

Now the first thing I noticed was that the ASI2400 was only slightly cheaper than the ASI6200, but the ASI6200 is offering a much higher resolution, so why would people not just go for the ASI6200? Well it comes down to pixel size, the ASI6200 has a pixel size of 3.76 so it would be better suited to a short focal length scope, if I attach the ASI6200 to my SharpStar 15028HNT which has a focal length of 420mm at F2.8, this will give me around 1.85 Arc-Seconds per Pixel which for UK skies is an ideal figure, the ASI2400 has a bit more flexibility with the focal length of telescopes because of the larger pixel size, so whilst the ASI6200 offers a higher resolution image sensor of 62mpx, the ASI2400 offers more flexibility of a higher focal length telescope.

When I unboxed the ASI2400 I was very impressed with the quality, this was the first ZWO Camera I have ever actually seen in the flesh, the red finish matches my SharpStar 15028HNT, but one thing that I noticed straight away was the two additional USB Ports on the top of the camera which I sat and thought to myself that it would certainly help with tidying up my cables around the scope. In the box was a couple of adapters to obtain the very common 55mm back focus, two USB Cables, and a USB 3.0 cable, and the camera arrived in a very nice case too.

I removed the camera sensor cover and revealed the massive full frame sensor and compared it to the APS-C sized camera I have and was like wow, that’s a big sensor, here’s a picture of the sensor:

Size matters, the Full Frame sensor on the ASI2400MC Pro

I noticed too that there was a special tilt plate on the camera which in my opinion is a critical point, my other camera has a tilt plate that is very cumbersome to use, so after a while of looking at the sensor, I decided to start adding my ZWO filter drawer and M48 extension tubes in order to get it connected to the mount, I am using the ZWO M54 2″ Filter drawer which has a 2mm M54 to M48 adapter too, threading the filter drawer on the camera was very smooth, but I would not expect anything less than that with ZWO kit connecting to ZWO kit, here’s a picture with the filter drawer and the Optolong L-Pro 2″ filter connected to the camera:

ZWO M54 Filter Drawer connected to the ASI2400MC Pro

Once connected to the telescope, I had to find out where the camera was facing when connected at the optimal distance of 55mm as all of my image train is threaded on, once identified which direction the top of the camera sensor was facing I could rotate the focuser and then re-check the collimation with the laser before putting the camera back on and connecting the cables.

Identifying which side of the camera the top of the sensor was is so easy on this camera, there’s what looks like a black plastic button on the side of the camera, it is obviously a cover of some sort, but this also indicates which side the top of sensior is located, something I wish all camera vendors would do.

One of the first things I do when testing out a new camera is dark frames, all vendors claim they have zero amp glow, so this is always my first test, and the ASI2400 didn’t let me down, indeed there was zero amp glow and I tested with various exposure times and gain settings, here’s a 300S exposure with Gain 26 which has had a Screen Transfer Function auto stretch applied:

After connecting it all up to the telescope, and acquiring some darks, flats, and BIAS frames, and the skies were clear, it was time to put the camera under a proper test, I had set a couple of targets up, the Cygnus Loop and the Elephant’s Trunk Nebula using the Optolong L-eXtreme Narrowband filter and here are the results:

Cygnus Loop – Eastern Veil, Western Veil and Pickerings Triangle – 29x300S at Gain 26, ASI2400MC Pro on the Sharpstar15028HNT using the Optolong L-eXtreme Dual Band Filter
Elephant’s Trunk Nebula – 19x300S at Gain 26, ASI 2400MC Pro on the SharpStar 15028HNT using the Optolong L-eXtreme Dual Band Filter

So you can see the camera performed really well, stars are almost perfect in the corners (a little fine tuning required on spacing), I am hoping to get a few more clear nights over the next few days to build on the above images and really show off the performance of the ASI2400, and I can’t wait to test it out on the Iris Nebula.

Conclusion:
The ASI2400 is in my opinion an awesome piece of kit, that massive full frame sensor has the adaptability for longer focal length telescopes due to the larger pixel size, the advantage of the USB Hub built into the camera, the adjustable tilt plate on the front of the camera is the most advantageous aspect, would have saved me so much time trying to rectify tilt instead using copper shims, but also the smaller things that are equally as important like having something to identify which way round the sensor is rather than trying to figure it out with images in my opinion is what sets this apart from other similar cameras from other vendors.

If you are looking for a full frame camera and have a short focal length telescope, the ASI2400 or the ASI6200 full frame cameras will do just the job,but any longer focal length scopes, then the ASI2400 is the right choice.

Additional image taken since writing this post:

M31 – Andromeda Galaxy – 51x90S frames at Gain 0 using the Optolong L-Pro Filter, darks and flats applied

IC1396 – Elephant’s Trunk Nebula in Hubble Palette Narrowband

IC1396 – Elephant’s Trunk Nebula in Hubble Palette Narrowband

Image consists of
15x 600S – 7nm HA
15x 600s – 7nm OIII
15x 600s – 7nm SII

HA Layer was also used as Luminance and Overlay layer

All data was obtained over five nights, 7th and 8th September 18th September, 22nd September and 23rd September 2016

Equipment Used:
Imaging Scope: Sky-Watcher Quattro 8-CF 8″ F4 Newtonian
Guide Scope: Celestron Telescopes C80ED
Imaging Camera: Atik Cameras 383L+ Mono CCD Cooled to -20C
Guide Camera: Qhyccd 5L-II
Mount: Sky-Watcher EQ8 Pro
Capture Software: Main Sequence Software Sequence Generator Pro
Guide Software: PHD2
Dark/Flat Subtraction and Stacking: Maxim-DL
Post Processing: Photoshop

To date I think this is my best image so far, I am very happy with the results of the image and the colour balance obtained

IC1396 – Elephant’s Trunk Nebula

IC1396 – Elephant’s Trunk Nebula

The Elephant’s Trunk nebula is a concentration of interstellar gas and dust within the much larger ionized gas region IC 1396 located in the constellation Cepheus about 2,400 light years away from Earth

Image consists of
18x 300S – Luminance
18x 300S – Red
18x 300S – Green
18x 300S – Blue
8x 600S – Hydrogen Alpha (As lighten layer in Red Channel)

All data was obtained over two nights, 7th and 8th September 2016

Equipment Used:
Imaging Scope: Sky-Watcher Quattro 8-CF 8″ F4 Newtonian
Guide Scope: Celestron Telescopes Telescopes C80ED
Imaging Camera: Atik Cameras Cameras 383L+ Mono CCD Cooled to -20C
Guide Camera: Qhyccd 5L-II
Mount: Sky-Watcher EQ8 Pro
Capture Software: Main Sequence Software Sequence Generator Pro
Guide Software: PHD2
Dark/Flat Subtraction and Stacking: Maxim-DL
Post Processing: Photoshop, GradientXterminator, NoiseNinja