Tag Archives: EQ8 Pro

SharpStar SCA310 Review (Part 2)

Refining the Setup and Seeing What It Can Really Do

In Part 1 of my SharpStar SCA310 review, I covered the rather long journey that eventually resulted in one arriving on my doorstep, the technical specifications, how it compares with my previous SharpStar 20032PNT and my initial impressions of what is, by any measure, a substantial piece of astrophotography equipment.

But specifications and first impressions only tell you so much.

The real test of any astrograph begins when you start building the complete imaging system around it and, ultimately, point it at the night sky.

Since receiving the SCA310 in January, I’ve made a number of changes to get the telescope working exactly the way I want it. Some were planned before it even arrived, while others came about as I started collecting real imaging data.

So, in Part 2, I’ll concentrate on those experiences: what I changed, the problems I encountered, how I solved them and, ultimately, whether the SCA310 delivered the performance I’d been waiting more than four years to see.

Re-engineering the Cooling System

One of the first things I decided to change was the cooling arrangement.

The SCA310 is fitted with fans behind its large 310 mm primary mirror, but I wanted to make two modifications.

The first was purely practical. I replaced the original fans with externally mounted, easily replaceable units. Fans are mechanical components and eventually they fail. I didn’t want replacing one to involve dismantling the rear of the telescope, so with my arrangement a failed fan can now simply be swapped out.

The more significant change was reversing the direction of airflow.

In the stock configuration, air is drawn through the open aperture and exhausted by the fans behind the primary mirror. I reversed this so that the rear-mounted fans instead draw ambient air in from behind the primary and push it forwards through the telescope.

The main reason for doing this was the thermal boundary layer that can form above a large primary mirror. If the mirror remains warmer than the surrounding air, it heats the thin layer of air immediately above its surface, creating small convection currents that can affect image quality.

By bringing ambient air in behind the primary and moving it forwards, the aim is both to help the mirror reach thermal equilibrium and to disrupt that warmer boundary layer.

There’s also another potential benefit. The airflow continues forwards towards the secondary, helping keep air moving around it during the damp conditions we frequently experience here in the UK. It isn’t a replacement for dew control, but anything that helps discourage moisture from settling on the secondary is useful.

This isn’t something I’ve attempted to quantify scientifically; it’s simply the approach that made most sense to me, and in practice it has worked extremely well.

My externally mounted cooling fans. As well as reversing the airflow, mounting the fans externally means they can easily be replaced should one ever fail.

Tracking Down the Stray Light

Once I started collecting real-world imaging data, I discovered another issue: stray light.

I contacted SharpStar and shared examples of what I was seeing. To their credit, they responded by providing me with a corrector baffle extension, designed to provide additional shielding and control stray light hitting the corrector lens. Once installed, it made a significant improvement.

Unfortunately, the stray light didn’t stop there.

When I subsequently examined my RGB imaging data, I noticed another reflection that was particularly apparent through the Red and Green filters, with Red showing the strongest effect.

This appeared to be separate from the stray light that SharpStar’s corrector baffle extension had addressed, so I started looking for another reflective surface within the optical path. Eventually, I traced it to something surprisingly simple: the red anodised aperture.

Although it didn’t look particularly reflective to the eye, it was reflecting enough light to become visible during long-exposure imaging, particularly through the Red filter. Fortunately, the solution was equally simple. I covered the inside of the red anodised aperture with black insulation tape. And that solved it.

Not exactly high-tech, but extremely effective. Black insulation tape covering the reflective anodised surface eliminated the remaining reflection.

It’s worth distinguishing between the two issues.

The corrector baffle extension supplied by SharpStar controlled stray light reaching the corrector lens, while the remaining RGB reflection was caused by light reflecting from the red anodised aperture.

Given that mine was an extremely early SCA310—and, as far as I’m aware, the first delivered to a customer in the UK—finding a couple of areas that could be refined wasn’t entirely unexpected.

More importantly, neither issue was related to the fundamental optical quality of the telescope.

Collimation – Easier Than Expected

Given the size of the SCA310 and its fast f/3.8 optical system, I expected collimation to be one of the more challenging aspects of setting it up.

In reality, it was surprisingly straightforward. I used my Farpoint Astro laser collimator for the initial alignment, making a few small adjustments until I was happy everything was correctly aligned. Of course, the final test isn’t where the laser lands. It’s the stars.

Once I was able to examine actual imaging data, I checked the entire star field rather than concentrating solely on the centre. The result confirmed what the Farpoint had indicated: tight, round stars across the whole field of view, including the corners.

“The laser gets you aligned, but ultimately the stars tell you whether you’ve got it right.”

I’ve also found the SCA310 to hold its collimation extremely well. Mine is permanently installed in the observatory, which undoubtedly helps, but I haven’t found myself constantly having to make adjustments.

My approach now is simple: check it, but don’t touch it unless the stars tell me there’s a reason to.

Replacing the Stock Focuser with the Esatto 3.5″ LP

The next change was one I’d largely planned from the beginning. There was nothing fundamentally wrong with the stock focuser, but I wanted something better suited to a permanently installed and highly automated imaging system. I therefore replaced it with a PrimaluceLab Esatto 3.5″ LP robotic focuser.

For me, the main advantages are rigidity, repeatability and accurate automated focusing throughout the night. With an OAG, filter wheel and full-frame camera hanging from the rear of the telescope, maintaining a rigid imaging train is particularly important.

The original SCA310 connection is M101x1, so fitting the Esatto required an M101x1 female to M101x1.5 male adapter. Once installed, everything fitted together extremely well.

The original SCA310 focuser before the upgrade.

The PrimaluceLab Esatto 3.5″ LP installed using an M101x1(F) to M101x1.5(M) adapter.

For the way I use the telescope, the Esatto has proven to be a worthwhile upgrade. Autofocus is repeatable, the imaging train is extremely rigid and it integrates neatly with the rest of my observatory automation.

Moving from a Guide Scope to an OAG

Changing the focuser wasn’t the only alteration I made to the imaging train. With a telescope of this size and a focal length approaching 1.2 metres, I also decided to retire my separate guide scope and move to an Off-Axis Guider (OAG).

The advantage is straightforward: an OAG guides using the telescope’s own optical path, eliminating the possibility of differential movement between a separate guide scope and the main telescope. In principle, it was an obvious upgrade. Getting everything configured proved slightly more challenging.

The main issue was achieving reliable guide-camera focus while also dealing with the small differences in focal point between my individual filters. As the imaging camera refocused between filters, I needed the guide camera to remain sufficiently well focused across those changes.

It took some experimentation with positioning and spacing, but eventually I found the right compromise. Once sorted, the OAG has worked extremely well, and on a telescope of this size I wouldn’t go back to a separate guide scope.

First Completed Image – The Wizard Nebula

After modifying the cooling, dealing with the stray light, checking the collimation and finally getting the imaging train configured exactly the way I wanted it, there was really only one thing left to do.

Take some photographs.

My first completed image with the SCA310 was the Wizard Nebula (NGC 7380), and this was probably the point at which the four-year wait finally made sense. The first thing I did was examine the stars.

Not just those in the centre of the image, but those right out towards the corners. The result was exactly what I’d been hoping for. Tight, round stars across the entire field of view.

The overall image was also extremely sharp, with fine structure throughout the nebula beautifully resolved. This was my first real opportunity to see what the combination of 310 mm aperture, 1178 mm focal length and f/3.8 could deliver in a completed image rather than simply looking at test exposures. And it delivered.

My first completed image with the SharpStar SCA310 – the Wizard Nebula (NGC 7380). The image demonstrated excellent sharpness with tight, round stars across the entire field of view.

“After more than four years of waiting, the Wizard Nebula was the image that finally answered the question: was the SCA310 going to deliver what I’d hoped? It absolutely did.”

And ultimately, that’s what matters. Cooling systems, focusers, collimation, guiding and modifications are all part of building an astrophotography system, but the reason we spend so much time getting those things right is the image that eventually appears on the screen.

Which brings me to the question I’ve been waiting more than four years to answer.

Conclusion – Was the SharpStar SCA310 Worth the Wait?

After waiting more than four years for the SCA310, there was always a danger that no telescope could possibly live up to the expectations I’d built around it. Fortunately, this one has.

It hasn’t been a completely plug-and-play experience. I’ve modified the cooling system, dealt with two different sources of stray light, changed the focuser and moved from a guide scope to an OAG. But none of those things change what matters most. The optical performance is exceptional.

The Wizard Nebula demonstrated that better than any specification sheet could: excellent sharpness and tight, round stars across the entire field.

I also don’t want the move to the SCA310 to suggest there was anything lacking in my previous SharpStar 20032PNT. There wasn’t. It was an excellent telescope and produced many images I’m still extremely proud of. The SCA310 simply represents the next step.

Its additional aperture and longer focal length give me access to a different level of image scale and detail, while the f/3.8 optical system retains the imaging speed that attracted me to SharpStar’s astrographs in the first place.

There are certainly areas where I think SharpStar could make improvements. Better stray-light control from the factory would have prevented the issues I encountered, and personally I prefer the cooling arrangement I’ve created.

But those are refinements around an optical system that has delivered exactly what I hoped it would.

There is one other consideration for anyone thinking about buying one.

It’s huge.

At 23.5 kg before adding the complete imaging train, the SCA310 needs a serious mount underneath it. Mine sits permanently on my Sky-Watcher EQ8 Pro, which is now around twelve years old and was StellarDrive tuned a few years ago. Despite its age, the EQ8 continues to handle the SCA310 extremely well.

I wouldn’t underestimate this aspect of ownership. There’s little point investing in optics capable of resolving extremely fine detail if the mount underneath them can’t provide the tracking and guiding accuracy needed to take advantage of it. So, would I buy the SCA310 again?

Absolutely.

I’ve only had it since January, and in many ways I’m still discovering what it’s capable of. I’m sure there will be many more targets to image—and, knowing me, probably a few more refinements to the setup along the way.

But after following its development for more than four years, finally having Zoltan from 365Astronomy drop it off on his way home from AstroFest, and then spending the months since learning how to get the best from it, I can finally answer the question I had when SharpStar first announced the SCA310.

Was it worth the wait?

Without hesitation. Every single year of it.

SharpStar SCA310 Review (Part 1)

Four Years of Waiting… and Every Lesson Learned Along the Way


Introduction

Every now and then, a telescope comes along that genuinely captures the imagination of the astrophotography community.

For me, the SharpStar SCA310 was one of those telescopes.

Having previously owned both the SharpStar 15028HNT and later the SharpStar 20032PNT, I’d become a huge fan of SharpStar’s approach to designing telescopes specifically for astrophotography. The 20032PNT, in particular, had become my workhorse telescope, producing many of my favourite deep-sky images and proving itself to be an exceptionally capable imaging platform.

So, when SharpStar announced the SCA310 Super Cassegrain Astrograph, my interest was immediate.

On paper, it promised something genuinely different. A completely new optical design, a 310 mm aperture, 1178 mm focal length, f/3.8 optical system, and a 55 mm corrected image circle housed within a beautifully engineered carbon fibre optical tube. It wasn’t simply a larger version of the 20032PNT—it was an entirely new design of telescope aimed squarely at serious astrophotographers.

Like many people, I expected it to be available within a few months.

Unfortunately, that wasn’t to be.

Manufacturing delays, global supply chain issues and extremely limited production meant that what I thought would be a relatively short wait eventually stretched into more than four years. As each year passed, the SCA310 became one of those telescopes that many of us wondered if we’d ever actually get the opportunity to own.

Then, in February this year, the wait was finally over.

Following AstroFest UK, Zoltan from 365Astronomy kindly dropped the telescope off to me on his journey home from the show. After following the SCA310’s development for more than four years, finally seeing it arrive on my doorstep was a genuinely memorable moment. As far as I’m aware, I also became the first person in the UK to take delivery of a SharpStar SCA310.

Needless to say, my expectations were incredibly high.

After waiting that long, I couldn’t help wondering whether any telescope could possibly live up to the anticipation.

Thankfully, it did.

That doesn’t mean the journey was entirely straightforward.

Like any sophisticated imaging system, the SCA310 required time to understand. Over the months that followed, I refined the cooling system, investigated and resolved an internal reflection issue, upgraded the focuser, redesigned the imaging train and learned exactly how to get the very best from the telescope.

This article isn’t another “first light” review written after a single clear evening.

Instead, it’s a long-term owner’s perspective. I’ll cover not only the official specifications and optical design, but also the practical realities of living with the telescope, the modifications I chose to make, the challenges I encountered and—most importantly—whether it was ultimately worth waiting more than four years to own one.

If you’re considering an SCA310, I hope this review gives you the insight that only comes from spending months living with the telescope rather than simply reading a specification sheet or watching a first-light video.



From the SharpStar 20032PNT to the SCA310

Before the SCA310 arrived, my primary imaging telescope was the SharpStar 20032PNT. If you’ve read my review of that telescope, you’ll already know how highly I rated it. It produced many of my favourite astrophotography images and, over the years, proved itself to be an exceptionally reliable and capable imaging platform.

In fact, when the SCA310 was first announced, I wasn’t actively looking to replace the 20032PNT. It already did everything I asked of it. The optics were excellent, the mechanical construction was solid, and paired with my imaging setup it consistently delivered sharp, well-corrected stars across a full-frame sensor.

So why change?

Quite simply, the SCA310 offered something entirely different.

Rather than being an evolution of the 20032PNT, the SCA310 represents a completely new optical design. SharpStar’s Super Cassegrain Astrograph (SCA) architecture combines a significantly larger aperture with a fast f/3.8 focal ratio and a generous 55 mm corrected image circle, opening up possibilities that simply weren’t available with my previous setup.

The most obvious difference, of course, is the aperture.

Moving from 200 mm to 310 mm is a significant step. The increase in light-gathering capability means faint structures can be recorded more efficiently, while the longer focal length provides greater image scale for smaller galaxies, planetary nebulae and distant deep-sky objects. It isn’t simply a case of “bigger is better”; it’s about having a telescope capable of revealing more subtle detail when the seeing conditions allow.

There are, however, trade-offs.

The SCA310 is in a completely different class when it comes to physical size. Photographs really don’t prepare you for just how substantial it is. Even before cameras and accessories are attached, it dominates the observatory. Once the complete imaging train is installed, including the electronic focuser, off-axis guider, filter wheel, camera, dew control equipment and cabling, the finished system represents a considerable payload.

Fortunately, my observatory was already equipped to handle it.

The telescope now sits permanently on my Sky-Watcher EQ8 Pro, a mount I’ve owned for around twelve years. A few years ago it was professionally upgraded with a StellarDrive tuning kit, transforming what was already a capable mount into one that has handled every telescope I’ve asked it to carry. The SCA310 is undoubtedly the largest and heaviest optical tube I’ve mounted on it, but the combination has proven to be an excellent match.

For anyone considering an SCA310, it’s worth remembering that purchasing the telescope is only part of the investment. A telescope of this size deserves a mount capable of supporting it with absolute confidence. Skimping on the mount is likely to compromise the very performance you’re buying the telescope to achieve.


SCA310 vs 20032PNT

While both telescopes were designed specifically for astrophotography, they target slightly different requirements and imaging styles.

FeatureSharpStar 20032PNTSharpStar SCA310
Optical Design200 mm Paraboloid Astrograph310 mm Super Cassegrain Astrograph
Aperture200 mm310 mm
Native Focal Length760 mm1178 mm
Imaging Focal Ratiof/3.2 (with integrated corrector)f/3.8
Corrected Image Circle44 mm55 mm
Tube MaterialCarbon FibreCarbon Fibre
OTA Weight9.46 kg23.5 kg (including rings, handle, dovetail and corrector)
Rear ConnectionsM68 / M54 / M48M68 / M54 / M48
Rear-end Connection DistanceFixed imaging configuration38–66 mm

Looking purely at the specifications, it’s easy to focus on the larger aperture and increased focal length, but for me that wasn’t the biggest attraction.

What really interested me was the opportunity to work with an entirely new optical design. Having enjoyed such excellent results with the 20032PNT, I was keen to see what SharpStar could achieve by starting with a clean sheet of paper and designing a telescope specifically around the needs of modern astrophotography.

As I was about to discover, that new design brought with it some impressive advantages… and a few interesting engineering challenges along the way.


Technical Overview

The SharpStar SCA310 isn’t a larger version of SharpStar’s existing astrographs. It represents a completely different approach to telescope design, developed specifically for deep-sky astrophotography rather than adapting an existing visual telescope.

At the heart of the SCA310 is SharpStar’s Super Cassegrain Astrograph (SCA) optical system which is actually a modified version of the Dall-Kirkham. The telescope combines a 310 mm aspherical primary mirror, a 184 mm fused silica secondary mirror, and an integrated three-element corrector incorporating an ED element. Working together, these components produce a 55 mm corrected image circle, making the telescope suitable for everything from full-frame astronomy cameras through to many medium-format sensors.

For me, one of the most attractive aspects of the design is that SharpStar hasn’t simply chased the fastest possible focal ratio. Instead, they’ve balanced aperture, focal length and image quality to produce a telescope that offers excellent image scale while remaining fast enough to collect an impressive amount of signal during a night’s imaging.

At 1178 mm focal length and f/3.8, the SCA310 sits in a very interesting position. It’s long enough to frame galaxies, globular clusters and many smaller nebulae with excellent detail, yet still fast enough to make broadband and narrowband imaging practical without excessively long exposure times.

That combination was one of the main reasons I decided to wait for the telescope rather than purchasing something else in the meantime.


Designed for Modern Imaging Systems

One feature that particularly stood out to me when reading the specifications was SharpStar’s approach to the rear of the telescope.

Many astrographs specify a fixed back focus that has to be maintained with millimetre precision.

The SCA310 is different.

Instead of defining a fixed back focus, SharpStar specifies a rear-end connection distance of between 38 mm and 66 mm. That may sound like a small detail, but in practice it provides significantly more flexibility when designing an imaging train.

Whether you’re using a motorised focuser, an off-axis guider, a filter wheel, a camera rotator or a combination of accessories, the available connection distance makes it much easier to configure the system without feeling constrained by a single fixed spacing.

As you’ll see later in this review, that flexibility proved particularly useful when I upgraded the telescope with a PrimaluceLab Esatto electronic focuser and converted from a traditional guide scope to an off-axis guider.


Engineering Note

Rear-end connection distance vs back focus

Although these terms are often used interchangeably within the astrophotography community, they’re not the same thing.

Traditional refractors and corrected Newtonians frequently require a fixed back focus behind the corrector or field flattener to achieve optimum performance.

The SCA310 instead provides a supported rear-end connection distance between 38 mm and 66 mm, allowing greater flexibility when configuring the imaging train. Throughout this review I’ll use SharpStar’s own terminology, as it more accurately reflects the design of the telescope.


Official Technical Specifications

The following specifications are taken directly from SharpStar’s published documentation.

SpecificationValue
Optical DesignSuper Cassegrain Astrograph (SCA)
Aperture310 mm
Focal Length1178 mm
Focal Ratiof/3.8
Primary MirrorAspherical
Secondary Mirror184 mm Fused Silica
CorrectorThree-element corrector incorporating one ED element
Corrected Image Circle55 mm
Optical Tube MaterialCarbon Fibre
Tube Length721 mm
Tube Diameter378 mm
Gross Weight23.5 kg (including rings, handle, dovetail and corrector)
Rear-end Thread OptionsM68, M54 and M48
Rear-end Connection Distance38–66 mm

On paper, these figures are certainly impressive, but specifications only tell part of the story.

The real question is how all of this translates into day-to-day use under the night sky.

After unpacking the telescope for the first time, that was exactly what I was about to find out.


First Impressions – Out of the Box

After waiting more than four years, finally opening the box was a mixture of excitement and relief.

There’s always a slight apprehension when you’ve built something up in your mind for so long. Expectations inevitably become high, and you start to wonder whether reality can ever live up to them.

Thankfully, the SCA310 made an excellent first impression.

The telescope arrived extremely well packaged, with every component securely protected for transport. Given both its size and weight, this immediately inspired confidence that SharpStar had put considerable thought into ensuring it would survive the journey intact.

The first thing that struck me wasn’t the weight—it was the physical size.

Photographs simply don’t prepare you for just how imposing the SCA310 is. Even after using the 20032PNT for several years, the increase in scale is immediately obvious. The larger tube diameter, substantial front corrector assembly and overall proportions make it clear that this is a serious piece of equipment.

The carbon fibre optical tube has a high-quality finish, while the CNC-machined components, tube rings and dovetail all feel reassuringly solid. Nothing feels lightweight or over-engineered for appearance alone. Instead, everything appears to have been designed with one goal in mind: providing a rigid platform capable of supporting the heavy imaging equipment that modern astrophotography demands.

One feature I particularly appreciated was the generous range of rear connection options. With M68, M54 and M48 adapters supplied, SharpStar has clearly considered the wide variety of cameras and accessories used by today’s astrophotographers. Rather than immediately reaching for custom adapters, most users should find it straightforward to begin assembling their imaging train.

The supplied focuser also deserves a mention. Although, as you’ll see later in this review, I eventually replaced it with a PrimaluceLab Esatto electronic focuser, my decision wasn’t because there was anything fundamentally wrong with the original. My imaging system is permanently mounted in the observatory and designed for fully automated operation, so upgrading to the Esatto was more about increasing rigidity and integrating with the rest of my observatory than correcting a weakness in SharpStar’s design.

Before attaching a camera or taking the telescope outside, I spent some time carrying out a thorough inspection. I always prefer to understand a new telescope mechanically before attempting first light. Checking the mirror cell, examining the rear cooling arrangement, familiarising myself with the adjustment points and planning the imaging train often saves time later on.

It was during this initial inspection that I started thinking about the cooling system.

The supplied arrangement is perfectly functional and undoubtedly adequate for most users, but as I looked at the airflow path through the telescope, I began wondering whether there might be a more effective way of managing the thermal behaviour of such a large primary mirror.

That thought stayed with me over the following days.

In the end, it became the very first modification I made to the telescope—and, looking back, it’s probably the modification that has had the greatest long-term impact on both usability and performance.

Owner’s Tip

Before making any modifications to a new telescope, spend some time getting to know how it’s been engineered. Understanding why a manufacturer has designed something a particular way makes it much easier to decide whether a change is genuinely an improvement or simply a different approach. In the case of the SCA310, living with the telescope for a short while confirmed the areas I wanted to refine, rather than changing things simply for the sake of it.

With the telescope inspected, the imaging train beginning to take shape and first light still ahead, it was time to tackle the one area I believed could be improved: the cooling system.

To be continued……………………………….Part 2

Why I Trust the Primaluce Lab Eagle5 Pro to Power My Astrophotography Nights

If you’ve ever spent a clear night under the stars watching a progress bar instead of gathering photons, you’ll understand the frustration that comes with building an astrophotography rig from disparate parts. Drivers fail to load, power distribution becomes a nightmare, cables become tangled or fail, and syncing your software suite across different machines can drain your patience—and your precious imaging time.

I’ve been there. Like many astrophotographers, I tried the “build it yourself” route: mini PCs from brand X, power hubs from brand Y, USB hubs from brand Z, and a jumble of cables trying to hold it all together. Every component technically worked… just not always at the same time. And not always reliably. Add to that the British weather windows we deal with, and wasting a night due to a system glitch just isn’t acceptable.

Enter the Primaluce Lab Eagle5 Pro.


Out of the Box: A Breath of Fresh, Italian-Engineered Air

From the moment I unboxed the Eagle5 Pro, the difference in approach was clear. Everything about it feels like it was designed by someone who actually does astrophotography—because it was. It’s not just a mini PC slapped into a box; it’s a purpose-built control hub engineered specifically for demanding astro workflows.

Installation was as straightforward as it gets: mount it on the telescope (it fits beautifully in the imaging train thanks to its low profile and rail system), connect power and data cables, and power on. No fiddling with BIOS settings, no sketchy Windows updates. Just boot, install your preferred imaging software and drivers for your equipment, and go.

In my case, the Eagle5 Pro controls:

  • ZWO ASI6200MM Pro camera
  • Sky-Watcher EQ8 Pro mount
  • Talon Roll-off Roof observatory automation
  • Filter wheel, focuser, dew heaters, guide cam, and all the usual suspects

Everything talks, everything syncs, and everything just works.


Total System Integration

This is where the Eagle5 Pro truly shines. Not only does it run your software stack (NINA, Sequence Generator Pro, or whatever you use), but it also manages power distribution, USB ports, WiFi/Ethernet connectivity, and environment monitoring, all in one device. You can schedule power-ups for each component individually, monitor voltage and current draw in real time, and reboot USB ports remotely—without crawling around your observatory in the dark.

The bundled EAGLE Manager software ties it all together, giving you a clean dashboard to control everything—from your main imaging camera to your dew heaters—on a single screen.

Compare that to the DIY route where power comes from one source, USB control from another, and networking from somewhere else entirely. The second something glitches, you’re in a digital detective story trying to track down what failed. With the Eagle5 Pro, it’s unified. It’s visual. It’s intuitive.


No More Lost Nights

I haven’t lost a single night to hardware or software troubleshooting since switching to the Eagle5 Pro.

Let me say that again: not one.

When the weather gives me a green light, I know my gear will perform. That peace of mind is priceless. No more last-minute reboots, mysterious ASCOM issues, or power ghosts causing reinitialization loops. My ASI6200 fires up cleanly every time, the EQ8 Pro slews and tracks without drama, and the roof opens and closes as scheduled.

In an era when we’re all chasing photons between the clouds, stability is not a luxury—it’s a necessity.


Final Thoughts

If you’re on the fence about the Eagle5 Pro, ask yourself: how much is a single night of imaging worth to you? Now multiply that by all the nights you’ve lost to troubleshooting. The Eagle5 Pro may look like a premium investment upfront, but it pays for itself every time it lets you image instead of debug.

Eternal Quest: The Elephant’s Trunk Nebula Unveiled

In the boundless theatre of the night sky, where celestial tales unfold across the eons, lies an ethereal masterpiece that has captivated the gaze of astronomers and dreamers alike. This image, a delicate two-panel mosaic, is a profound revelation of the Elephant’s Trunk Nebula, known formally by its catalog designations IC 1396A, nestled within the larger expanse of the IC 1396 complex in the constellation of Cepheus.

Crafted with meticulous dedication over the span of five months, this portrait of the cosmos was brought to life using a full-frame monochrome CMOS camera, a testament to the intersection of art and technology. The camera, acting as a modern-day alchemist, transformed the invisible into the visible, capturing the nebula’s intricate details and sweeping gas clouds that resemble an elephant’s trunk, reaching out into the void.

However, this image is more than a snapshot; it is a chapter in an ongoing saga dictated by the unpredictable whims of the UK’s weather. The journey to encapsulate the nebula’s full glory has been a dance with the elements, with many nights spent under the cloak of clouds rather than stars. Despite these challenges, the initial results have unveiled a stunning glimpse into the cosmos, showcasing the nebula’s haunting beauty and the vibrant activity within its star-forming regions.

Yet, the story does not end here. The image is a promise of what is yet to come, as there are plans to revisit the Elephant’s Trunk Nebula later this year. The aim is to deepen the exploration, to add more data to this cosmic tapestry, and to further refine the clarity and depth of this celestial phenomenon.

This endeavor, a blend of patience, passion, and precision, highlights not just the technical prowess required for astrophotography but also the enduring human desire to connect with the universe. Through this image, we are reminded of our place in the cosmos, a mere speck within the vastness, yet capable of capturing and celebrating its majesty.

The Elephant’s Trunk Nebula stands as a beacon in the dark, a symbol of the mysteries that await our discovery. With each photograph, we peel back another layer of the universe, bringing us closer to understanding the grand design of which we are a part. This image is an invitation to gaze upwards, to wonder, and to dream of the infinite possibilities that lie beyond our world.

Here is the Astrobin link for the full resolution image: https://www.astrobin.com/full/qxmduq/0/

Frames:
Chroma H-alpha 3nm Bandpass 50 mm: 81×300″(6h 45′) (gain: 100.00) -10°C bin 1×1
Chroma OIII 3nm Bandpass 50 mm: 91×300″(7h 35′) (gain: 100.00) -10°C bin 1×1
Chroma SII 3nm Bandpass 50 mm: 125×300″(10h 25′) (gain: 100.00) -10°C bin 1×1

Integration: 24h 45m
Darks: 51
Flats: 51
Bias: 201

Equipment:
Imaging Camera: ZWO ASI Cameras ASI6200MM Pro Gain 100 -10C
Imaging Scope: Sharpstar Optics 20032PNT F3.2 Paraboloid Astrograph
Filters: Chroma 50mm 3nm Filters
Filterwheel: ZWO ASI Cameras 7x EFW
Guide Camera: ZWO ASI Cameras ASI290MM
Mount: Sky-Watcher EQ8 Pro German Equatorial Mount
Auto Focuser: Primalucelab Sesto Senso2
Environmental conditions: Primalucelab ECCO2
Observatory Control: PrimaLuceLab Eagle Eagle 4 Pro
Roof Control: Talon RoR
Image Acquisition: Main Sequence Software Sequence Generator Pro
Image Calibration and Stacking: Astro Pixel Processor
Image Processing: PixInsight, Russ Croman’s BlurXterminator and StarExterminator

Sharpstar 20032PNT F3.2 Paraboloid Astrograph Review

Having owned the Sharpstar 15028HNT, I decided I wanted a larger light bucket without really sacrificing on speed, so I opted for the big brother of the 15028HNT which is the SharpStar 20032PNT.

I picked up my 20032PNT from Zoltan at 365Astronomy, and could not wait to get it home and unbox it, so after removing it from not just one carboard box, but two, I was presented with a very large flight case, which evidently is a larger version than the one that came with the 15028HNT.

Once I had the scope unpacked and inspected everything, the first thing I noticed was the focuser, the 20032PNT has a large focuser, which is big enough to accomodate the reducer/corrector that has an M68 connector thread as well as an M54 and an M48 connector thread.

The scope is well built, as I would expect from the build quality of the 15028HNT, the red annodised alluminium tube rings just give that final touch of finese. The 3 inch focuser is very smooth, and will no doubt be able to handle quite a load of equipment.

The first thing I planned to do was ensure that the primary mirror was secure and did not rock back and forward as well as replace the stock fan. I have fed back to SharpStar that they should mount the fan externally and also mount it with shock absorbing rubber mounters, and have the airflow into the tube from the back, rather than drawing air down the tube from the secondary. Here are my images of the fan replacement:

Primary Mirror assembly removed from OTA
Fan assembly with mirror removed
Stock Fan

Stock fan removed and added in a PWM fan connector should the fan ever need to be replaced, it can be replaced without removing the mirror assembly
Anti vibration fan mounting points
External fan connected to PWM connector
How the fan looks from the outside, the image is missing the fan filter which I added afterwards

Once everything was back together, I mounted my Eagle4Pro onto the top bar, as well as added an extra long losmandy plate because I wanted the OTA as far forward as I could get it in order to have the camera in the right location without it hitting the mount at all.

And here is the scope on the mighty EQ8 Pro mount

My first set of image testing did not go so well. My previous 15028HNT did not protrude above the walls of the observatory, so despite the fact that the secondary mirrors on both scopes are right up at the top of the tube, the 20032PNT was picking up stray light from my neighbour, so I had to adopt a dew shield that would extend the OTA by around 5 inches:

Scope with dew shield attached

Flats
I first started to have issues with my flats that was taken with a flat panel, the flat frames would “Overcorrect” the images, but one thing I noticed that there was a lot of vignetting happening. Sky flats seemed to work better, but I was not happy with the vignetting. Now since I am using a full frame sensor on the ASI6200MM Pro, and the scope supports full frame, I was a little intrigued as to why I was getting so much vignetting, you can see from the master flat below that there was indeed a significant amount of vignetting.

Red Master Flat in PixInsight

I did some calculations and found what my problem was. Since my camera is full frame, it has a diameter of 44mm. The M54 connector on the telescope is 55mm away from the sensor, so a simple equation tells me that my light cone is larger than the M54 connector:

Sensor diameter + (distance from sensor / focal ratio)
44 + (55/3.2) =61.1875mm

The internal diameter of the M54 connector is around 51mm, so the light cone was being restricted by around 10mm. So I had a custom M68 to M54 adapter made which is 28.5mm in length, the reason for this is because the backfocus from the M68 connector is 61mm, so if we apply our formula:

44 + (61/3.2) = 63.06mm, this is way below the internal diameter of the M68 connector male thread, so vignetting should be minimised. Now because I do have some M54 in my image train, I know I would not completely elliminate vignetting and this is why, using the above formula, we can work out the light cone at varying part of the imaging train:

12.5mm (EFW mating to camera) = 47.9mm
18mm (50.4mm Filters distance from sensor) = 49.62mm
32.5mm (Light entrance to EFW distance from sensor) = 54.15mm

As you can see, I should expect some vignetting to occur because the light cone at the EFW M54 connector (with around 51mm internal) is 54.15mm, so I would be clipping the light cone slightly, but the result is as follows, again red filter, you can see that the vignetting is significantly reduced:

Collimation was done using the exact same process I used on the 15028HNT, you can read the guide here.

Conclusion:
SharpStar have again produced an outstanding quality astrograph, with a massive focuser to take on the largest of imaging trains, as well as finishing off the product with high quality annodised OTA rings. I am extremely happy with the performance of the telescope, below is my first image which happens to be a 2 panel mosaic:

Iris Nebula, 2 Panel Mosaic, Each Panel consists of 151x60S frames at Gain100, for L, R, G and B, for the full resolution image please use this link

Backfocus information:
M42 connector: 53mm
M54 connector: 55mm
M68 connector: 61mm

Focal Length (With Reducer/Corrector): 640mm
Focal Ratio: F3.2
Newtonian Type: Paraboloid
Focuser Size: 3″

The only complaint I have is with regards to the fan, which I have made a suggestion to SharpStar on that. Good job again SharpStar!

M101 / NGC 5457 – Pinwheel Galaxy in RGB

M101 / NGC5457 or most commonly known as the Pinwheel Galaxy is a face on spiral galaxy in Ursa Major and has a distance of around 21 million light years from Earth.

The QHY183M picks up quite a lot of the Ha detail in this galaxy without me having to image separate Ha Filter data

Image Details:
101x150S in R
101x150S in G
101x150S in B

Total Capture time: 12.6 Hours

Acquisition Dates: Feb. 27, 2019, March 29, 2019, March 30, 2019, April 1, 2019, April 11, 2019, April 12, 2019, April 14, 2019

All frames had 101 Darks and Flats applied

Equipment Details:
Imaging Camera: Qhyccd 183M Mono ColdMOS Camera at -20C
Imaging Scope: Sky-Watcher Quattro 8″ F4 Imaging Newtonian
Guide Camera: Qhyccd QHY5L-II
Guide Scope: Sky-Watcher Finder Scope
Mount: Sky-Watcher EQ8 Pro
Focuser: Primalucelab ROBO Focuser
FIlterwheel: Starlight Xpress Ltd 7x36mm EFW
Filters: Baader Planetarium RGB
Power and USB Control: Pegasus Astro USB Ultimate Hub Pro
Acquisition Software: Main-Sequence Software Inc. Sequence Generator Pro
Processing Software: PixInsight 1.8.6

NGC 2264 – Cone Nebula and Christmas Tree Cluster in HaRGB

Located in the constellation of Moneceros, this image shows both the Cone Nebula and the Christmas Tree Cluster, located around 2600 light years from earth the Cone Nebula being an emmision Nebula

Image Details:

101x150S in R
101x150S in G
101x150S in B
101x300S in Ha

Total capture time: 21 Hours

Acquisition Dates: Jan. 9, 2019, Jan. 31, 2019, Feb. 3, 2019, Feb. 14, 2019, Feb. 15, 2019, Feb. 23, 2019, Feb. 24, 2019, Feb. 25, 2019, Feb. 26, 2019, Feb. 27, 2019, Feb. 28, 2019, March 24, 2019, March 25, 2019, March 26, 2019, March 28, 2019, March 29, 2019

The NBRGB Script in PixInsight was used to blend the Ha into the RGB Image

101 Darks, Flats and Flat Darks were used in the frame calibration

Equipment Details:
Imaging Camera: Qhyccd 183M Mono ColdMOS Camera at -20C
Imaging Scope: Sky-Watcher Quattro 8″ F4 Imaging Newtonian
Guide Camera: Qhyccd QHY5L-II
Guide Scope: Sky-Watcher Finder Scope
Mount: Sky-Watcher EQ8 Pro
Focuser: Primalucelab ROBO Focuser
Filterwheel: Starlight Xpress Ltd 7x36mm EFW
Filters: Baader Planetarium RGB and Ha
Power and USB Control: Pegasus Astro USB Ultimate Hub Pro
Acquisition Software: Main-Sequence Software Inc. Sequence Generator Pro
Processing Software: PixInsight 1.8.6

M78 / NGC 2068 in RGB

This is the first time I have ever imaged this object, I will re-visit next year when I will image at F2.8 with a wider field of view using a keller reducer.

Since this object is in the southern area of sky, I am limited by trees and the house on the data I can capture in a single night

Image Details:
101x150S – Red
101x150S – Green
101x150S – Blue

101 Darks, Flats and Dark Flats

Image Acquisition Dates: Jan. 1, 2019, Jan. 2, 2019, Jan. 8, 2019, Jan. 9, 2019, Jan. 27, 2019, Jan. 28, 2019, Jan. 30, 2019, Feb. 10, 2019, Feb. 20, 2019, Feb. 23, 2019, Feb. 24, 2019, Feb. 25, 2019

Equipment Used:
Imaging Camera: Qhyccd 183M Mono ColdMOS Camera at -20C
Imaging Scope: Sky-Watcher Quattro 8″ F4 Imaging Newtonian
Guide Camera: Qhyccd QHY5L-II
Guide Scope: Sky-Watcher Finder Scope
Mount: Sky-Watcher EQ8 Pro
Focuser: Primalucelab ROBO Focuser
FIlterwheel: Starlight Xpress Ltd 7x36mm EFW
Filters: Baader Planetarium RGB and Ha
Power and USB Control: Pegasus Astro USB Ultimate Hub Pro
Acquisition Software: Main-Sequence Software Inc. Sequence Generator Pro
Processing Software: PixInsight 1.8.6

IC36 Y Cas Nebula in SHO

Located in the constellation of Cassiopeia this rather feint nebula is illuminated by a very bright Magnitude 2.15 star Navi

Image Details:
101x300S in SII – Red Channel
101x300S in Ha – Green Channel
101x300S in OIII – Blue Channel

Total integration time: 25.2 Hours

101 Darks, Flats and Dark Flats applied

Acquisition Dates: Oct. 27, 2018, Dec. 13, 2018, Dec. 27, 2018, Jan. 1, 2019, Jan. 2, 2019, Jan. 4, 2019, Jan. 8, 2019, Jan. 9, 2019, Jan. 11, 2019, Jan. 18, 2019, Jan. 20, 2019, Jan. 23, 2019, Jan. 27, 2019, Jan. 28, 2019, Jan. 30, 2019

Equipment Details:
Imaging Camera: Qhyccd 183M Mono ColdMOS Camera at -20C
Imaging Scope: Sky-Watcher Quattro 8″ F4 Imaging Newtonian
Guide Camera: Qhyccd QHY5L-II
Guide Scope: Sky-Watcher Finder Scope
Mount: Sky-Watcher EQ8 Pro
Focuser: Primalucelab ROBO Focuser
FIlterwheel: Starlight Xpress Ltd 7x36mm EFW
Filters: Baader Planetarium Ha, SII and OIII
Power and USB Control: Pegasus Astro USB Ultimate Hub Pro
Acquisition Software: Main-Sequence Software Inc. Sequence Generator Pro
Processing Software: PixInsight 1.8.6

NGC6888 – Crescent Nebula in SHO Narrowband

This object is a little tricker for me since I only have a 3-3.5 hour window per evening due to trees and the house blocking my view, this is also the first image that I used the drizzle function within PixInsight to be able to provide a detailed up close version of the image, I was very happy to have captured the brown “Globules” within the nebula to

Crescent Nebula in SHO Narrowband
Same object but with a 2x drizzle function in PixInsight applied

Image Details:
Red Channel – SII Data – 89x300S
Green Channel – Ha Data – 64x300S
Blue Channel – OIII Data – 109x300S

101 Darks, Flats and BIAS Frames used 

Equipment Used:-
Imaging Camera: QHY183M Mono ColdMOS Camera at -20C
Imaging Scope: Skywatcher Quattro 8″ F4 Newtonian
Guide Scope: Skywatcher Finder Scope
Guide Camera: QHY5L-II
Mount: Skywatcher EQ8 Pro GEM Mount
Focuser: PrimaluceLabs ROBO Focuser
Filterwheel: StarlightXpress 7x36mm EFW
Filters: Baader 7nm Ha, SII and OIII
Acquision Software: Main Sequence Software Sequence Generator Pro
Processing Software: Pixinsight 1.8.5